It’s sure. No doubt about it: this is the user’s era. This is what we daily learn when we try to understand how We’re trying to build our future. This is true when we talk about soft-industries, such as software…
Just at this moment, somehow or other, Alice and the red Queen began to run. They were running hand in hand, and the Queen went so fast that it was all she could do to keep up with her: and…
The financial crisis of 2008 and other changes in the economy and culture have had a pervading impact on the creative sector more than on any other field. Using an original style, which combines autobiographical elements with a deep knowledge…
Cultural intelligence is defined as “a person’s capability for successful adaptation to new cultural settings, including cognitive, motivational and behavioral aspects”. This paper investigates how the adaptation processes recognized and studied in individuals can be applied to cultural and creative…
This book represents a very interesting collection of reports about the state of the art of the Cultural and Creative Industries in People’s Republic of China. Globally, in spite of the growing importance it plays in the national economy, the…
This paper provides an insight on the profiles of 400 creative businesses in London and the impact that a tailored, ERDF-funded business support programme had on their business performance and their confidence. It aims to provide a reflexion on the…
Much has been said about co-creation and participation in cultural projects, but it seems that cultural industry is facing challenges trying to balance social impact and profitability. Participation offers powerful tools to foment development and to weaken individualism in the…
It may sound obvious: in order for creative products to conquer markets we need creativity; business creativity. In the last decade debates and books about creativity were multiplied, in the attempt at answering to crucial questions ranging from the definition…
The change required a different storytelling; the past order was being irreversibly abandoned, the new world seemed to grant a diffused welfare, if not happiness. Only creative artists could understand that such a change implied extremely high costs: the loss…
More than 30 authors in 17 countries are the “pioneering minds”, who lead readers to the exploration of the “Entrepreneurial Principles of the Cultural and Creative Industries (CCIs)”. Even if CCIs play a key role in the European and global…